Your weekly dose of summarized happenings and anticipation, featuring Serbia, Italy, Kazakhstan, Portugal, France, and more!
The Ukrainian sand artist Kseniya Simonova has been confirmed for participating in Britain’s Got Talent: The Champions.
The conclusion to an ongoing discussion about “Arcade”, focusing on the harmonies and production values found within.
In this article, we’ll dive deep into the viewing figures from this year’s Eurovision Song Contest held in Tel Aviv, Israel.
It has recently come to light that the stage design from this year’s Eurovision Song Contest has been copied.
Today, we’re going to be having a look at this year’s most successful songs, based on streaming, sales, chart positions and Youtube views.
Building on previous discussion on Duncan Laurence’s winning entry for Eurovision 2019, we look into its rhythmic backdrop and discuss the intricacies within.
KAN, Israel National Broadcasting, have been awarded the Booster award by the Israeli Marketing Association.
The 2019 Eurovision Song Contest has now been released on Netflix US.
The beginning of a series of music theory articles about “Arcade”, this discusses potentially interesting aspects of form and instrumentation within.
TVE, Spain’s National Broadcaster, has came under scrutiny for the high phone & text rates for calling in to vote at Eurovision.
Victor Crone represented Estonia at this year’s Eurovision with the song ‘Storm’, coming in 20th place with 76 points. He has given ERR his opinion on his result and what he plans for the future.
After Duncan Laurence stormed his way to victory with ‘Arcade’ for The Netherlands, many Dutch cities are willing to host the contest. But which ones and what arena have they submitted? We’re now going to find out. What do the cities need to host the contest? An international airport with flight connections to most European…
Iceland records its largest #Eurovision audience since 2013.